In a provocative new exhibition, Zimbabwean artist Moffat Takadiwa unveils his latest series of sculptures made from discarded materials, drawing urgent attention to Africa’s complex relationship with its colonial past. Opening this month at a prominent gallery in Harare, the exhibition titled “Scrounged Voices” showcases works that challenge viewers to confront the lingering effects of colonialism on contemporary African identity.
What happened
The exhibition features a range of sculptures fashioned from materials typically overlooked, such as plastic waste, metal scraps, and old fabric. Takadiwa, known for his innovative approach to found objects, integrates these materials into striking forms that evoke both beauty and discomfort. In recent interviews, he expressed his intent to provoke a dialogue around how African societies have been shaped by colonial histories, as well as by ongoing socio-economic struggles that have their roots in this past.
This debut comes on the heels of a broader movement among African artists pushing back against Eurocentric narratives that have long dominated contemporary art. Takadiwa’s work serves as a visual commentary, reflecting the resourcefulness of African communities while simultaneously critiquing a global economy that continues to commodify their experiences and histories.
Why it matters
Colonialism left an indelible mark on Africa, influencing everything from economic structures to cultural practices. Takadiwa’s sculptures serve as emblematic symbols of what he calls a “colonial hangover,” where post-independence narratives are still heavily influenced by the legacies of empire. By upcycling everyday waste, Takadiwa not only critiques the environmental neglect often linked to colonial exploitation but also highlights the cyclical nature of resource consumption and cultural erasure.
Moreover, his work is a celebration of creativity and resilience. Through the use of discarded materials, Takadiwa underscores the importance of innovative solutions to pressing societal problems. His sculptures compel audiences to reflect upon their own consumption patterns and the impact of waste in both local and global contexts, fostering a deeper awareness of sustainability in the arts.
What comes next
As “Scrounged Voices” gathers attention, the immediate outlook points towards possible international exhibitions, with some galleries from Europe and the U.S. expressing interest in showcasing Takadiwa’s work. This increased visibility could amplify discussions around the themes of colonialism and sustainability, both critical issues in today’s global discourse.
Additionally, Takadiwa has plans for workshops aimed at young artists, encouraging the next generation to engage with their colonial histories while exploring the potential of materials that are often deemed worthless. As the art world continues to navigate its own colonial past, Takadiwa’s commitment to confronting these themes through creativity offers a vital perspective on the potential for art to inspire change.
Original Source: https://www.thisiscolossal.com/2026/04/moffat-takadiwa-the-crown-sculptures-post-consumer-waste-africa/
